The Gerund

The gerund developed from the verbal noun, which in course of time became verbalized preserving at the same time its nominal character. The gerund is formed by adding the suffix -ing to the stem of the verb and coincides in form with Participle 1.

The gerund has both nominal and verbal properties. The nominal characteristics of the gerund are as follows.

1) The gerund can be preceded by a preposition;

e.g. Before answering her question he thought a little.

2) It can have an attribute expressed by a possessive pronoun or a noun in the Genitive Case;

e.g. I insist on your going there right now.

3) Verbal properties of the gerund are as follows;

  1. a) it can take a direct object;

e.g. Excuse me for interrupting you.

  1. b) it can be modified by an adverb;

e.g. After working hard she felt tired.

  1. c) it has the following verbal forms;

Indefinite – translating (active) – being written (passive)

Perfect – having translated (active) – having been written (passive)

The Gerund has the following functions in the sentence.

  1. subject;

They say smoking leads to meditation. (Collins) (subject)

  1. object;

Children enjoy playing on the sand.

  1. attribute;

There are no chances of being promoted here.

  1. predicative;

His hobby is growing roses of different colors.

  1. adverbial modifier of

Time On reaching the hotel he got out of the taxi.

Manner The whole morning was spent in packing.

Attendant circumstances He left the room without saying good-by to anybody.

Purpose. This tool is used for cutting down trees.

Condition. You cannot go there without being invited.

Cause. He couldn’t attend classes because of being ill.

Concession. We could understand him in spite of his speaking rather fast.

 

The Use of Gerund

Infinitive Gerund as subject Gerund as object Gerund as object of a preposition
solve Solving problems is satisfying. I like solving problems. No one is better at solving problems.
jog Jogging is boring. He has started jogging. Before jogging, she stretches.
eat Eating too much made me sick. She avoids eating too much. That prevents you from eating too much.
investigate Investigating the facts won’t hurt. We tried investigating the facts. After investigating the facts, we made a decision.

 

In Modern English the gerund is widely used and often competes with the infinitive.

In the following cases only the gerund is used;

1) with the verbs and verbal phrases; to avoid, to burst out, to deny, to enjoy, to excuse, to fancy, to finish, to forgive, to give up, to go on, to keep on, to leave off, to mind, to put off, to postpone.

e.g. He avoided looking at Savina. (Wilson)

She burst out crying. (Collins)

Fancy finding you here at such an hour. (Hardy)

Forgive my speaking plainly. (Hardy)

They went on talking (Hardy)

Would you mind waiting a week or two? (Dreiser)

I don’t mind going and seeing her. (Hardy)

She could put off going over the house. (Eliot)

She couldn’t help smiling. (Mansfield).

2) With the following verbs and verbal phrases used with a preposition;

To accuse of, to approve of, to complain of, to depend on, to feel like, to insist on, to look like, to object to, to persist in to prevent from, to rely on, to speak of, to succeed in, to suspect of, to thank for, to think of, to give up the idea of, to look forward to, not to like the idea of.

e.g. They accuse me of having dealt with the Germans. (Heym)

I don’t feel like going out. (Wilson)

I rushed out to prevent her from seeing this dreadful sight. (Conan Doyle)

My medical adviser succeeded in saving my life… (Collins)

You suspect me of stealing your diamond (Collins)

I resolved not to think of going abroad any more. (Defoe)

I really thank you heartily for taking all this trouble. (Hardy)

Don’t miss the opportunity of hearing this pianist. (Dreiser)

3) With the following predicative word-groups with or without preposition;

To be aware of, to be busy in, to be capable of, to be fond of, to be guilty of, to be pleased at,

To be proud of, to be sure of, to be surprised at, to be worth.

e.g. I am very fond of being looked at. (Wilde)

She was not pleased at my coming. (Hitches)

She is proud of being so pretty. (Dickens)

The bridal party was worth seeing. (Eliot)

Are you sure of those words referring to my mother? (Collins)

 

The Function of the Gerund in the sentence

The gerund may be used in various syntactic functions. A single gerund occurs but seldom; in most cases we find a gerundial phrase or a gerundial construction.

1) The gerund as a subject.

e.g. Talking mends no holes. (proverb)

The gerund used as a subject may follow the predicate; in these cases the sentence opens with the introductory it or with the construction there is.

e.g. It’s no use talking like that to me. (Shaw)

2) The gerund as a predicative.

e.g. The only remedy for such a headache as mine is going to bed. (Collins)

3) The gerund as part of compound verbal predicate.

  1. a) With verbs denoting modality the gerund forms part of compound verbal model predicate.

e.g. We intend going to Switzerland, and climbing Mount Blanc. (Ch.Bronte)

  1. b) With verbs denoting the beginning, the duration or the end of an action, the gerund forms part of a compound verbal aspect predicate.

e.g. In the night it started raining. (Hemingway)

4) The gerund as an object.

The gerund may be used as a direct object and as a prepositional indirect object.

e.g. I simply love riding. (Galsworthy)

5) The gerund as an attribute.

In this function the gerund is always preceded by a preposition.

e.g. She had a feeling of having been worsted… (Galsworthy)

6) The gerund as an adverbial modifier.

In this function the gerund is always preceded by a preposition.

It is used in the function of an adverbial modifier of time, manner attendant circumstances, cause, condition, purpose and concession; the most common functions are those of adverbial modifiers of time, manner, and attendant circumstances.

Time. After living her umbrella in the hall, she entered the living room. (Cronin)

Manner. She startled her father by bursting into tears. (Gaskell)

Attendant circumstances. She was not brilliant, not active, but rather peaceful and statuesque without knowing it. (Dreiser)

Purpose. One side of the gallery was used for dancing. (Eliot)

Condition. He has no right to come bothering you and papa without being invited. (Shaw)

Concession. In spite of being busy he did all he could to help her. (Shaw)

Types of non-finite verb

English has three kinds of nonfinite verbs:

  • Infinitives
  • Gerund
  • Participle

INFINITIVE

Infinitive is a grammatical term referring to certain verb forms existing in many languages. As with many linguistic concepts, there isn’t a single definition to all languages. The word is derived from Late Latin infinitivus, a derivative of infinitus meaning “infinite”. Their most often use is verbs. It is developed from their verbal noun which in course of time became verbalized .In modern English infinitive like the participle and gerund has a double nature ,nominal and verbal. It is the non-finite form of the verb, which combines the properties of the verb with those of the noun, serving as the verbal name of the process. The English infinitive exists in two presentation forms: with the particle to (this form is called “the to-infinitive”) or without the particle to (“the bare infinitive”).

The particle to can be separated from the infinitive, forming the so-called “split infinitive”, The infinitive is capable of expressing the categorical meanings of aspect and voice.

THE USE OF INFINITIVE

In Modern English the infinitive is used with the particle to. In Old English it was a preposition used with the infinitive in the dative case to indicate purpose. Still there are cases of so-called bare infinitive is used.

1 After auxiliary verbs.

e.g. We shall go there at once.

2 After modal verbs except the verb ought.

e.g. If one cannot have what one loves, one must love what one has.(Wilson)

3 After a verb to let.

e.g. Let us be the best friends in the world.(Dickens)

4 After the verb to make.

e.g. What makes you think so?(Carter)

5 After the expressions, had better, would rather, would sooner, cannot but, nothing but,

e.g. You had better go to bed and leave the patient to me.(Shaw)

6 As a modifier of a noun or adjective. This may relate to the meaning of the noun or adjective (“a request to see someone”; “keen to get on”), or it may form a type of non-finite relative clause, like in “the man to save us”; “the method to use”; “nice to listen to”.

7 In elliptical questions (direct or indirect): “I don’t know where to go.” After why the bare infinitive is used: “Why reveal it?”

8 The infinitive is also the usual dictionary form or citation form of a verb. The form listed in dictionaries is the bare infinitive, although the to-infinitive is often used in referring to verbs or in defining other verbs:

THE FUNCTION OF INFINITIVE

The infinitive can be used in different syntactic functions.

  1. The infinitive as a subject.

e.g. To doubt, under the circumstances, is almost to insult.(Ch.Bronte)

  1. The infinitive as a predicative.

e.g. My intention is to get into parliament.(Trollope)

  1. The infinitive as an object.

e.g. Leilahad learned to dance at boarding school.(Mansfield)

4 The infinitive as part of a complex object.

e.g. I never saw you act this way before.(Dreiser)

4 The infinitive as an attribute.

e.g. I have nobody to say a kind word to me.

5 The infinitive as an adverbial modifier of purpose, result, comparison and manner.

e.g. Laws were not made to be broken, laws were made to stay within.(Heym)

e.g. His eyes were sharp enough to look after his own interest.(Heym)

e.g. She nervously moved her hand towards his lips as if to stop him…(Dickens)

6 The infinitive as parenthesis.

e.g. He was rude to say the least of it.(Dreiser)

Infinitive constructions

The infinitive may be found in the following predicative constructions:

  1. The Objective Infinitive Construction.
  2. The Subjective Infinitive Construction.
  3. The For-to-Infinitive Construction.

The Objective Infinitive Construction.

It is a construction in which the infinitive stands in predicate relation to a noun in the Common Case or a personal pronoun in the Objective Case .It is also known as Complex Object.

e.g. Mary’s parents want her to become a doctor.

  1. a) The Objective Infinitive construction is used after the verbs denoting sense such as to hear, to see, to watch, to feel, to notice. After these verbs the infinitive is used without the particle to.

e.g. We saw the students leave the lecture-room.

  1. b) The Objective-with-the-Infinitive Construction is used after verbs denoting mental activity, such as to know, to think to consider, to believe, to suppose, to imagine, to find, to feel etc.

After these verbs to be is generally used.

e.g. I know you to be the most honest, spotless creature that ever lived.(Hardy)

  1. c) After verbs of mental activity the Perfect Infinitive is used but seldom.

e.g. The doctor found his heart to have stopped two hours before.

  1. d) The Objective-with-the-Infinitive Construction is used after verbs denoting wish and intention.

To want, to wish, to desire, to mean, to intend.

e.g. I want you to come and dine with me.(Dickens)

  1. e) The Objective-with-the-Infinitive Construction is used after verbs denoting feeling and emotions.

To like, to dislike, to love, to hate etc.

e.g. I dislike you to talk like that.

  1. f) The Objective-with-the-Infinitive Construction is used after verbs denoting order and permission. To order, to allow, to suffer, to have.

e.g. She had never allowed the name of John to pass her lips.

  1. g) It is widely used with the prepositions for, on, upon.

e.g. I rely on you to come in time.

  1. The Subjective Infinitive Construction.

It is a construction in which the infinitive stands in predicate relation to a noun in the Common Case or a personal pronoun in the Nominative Case. The Subjective Infinitive construction is used with the following groups of verbs in the Passive Voice.

  1. a) verbs denoting sense perception: to see, to hear

e.g. The boat was seen to disappear in the distance.

  1. b) verbs denoting mental activity: to think, to know, to consider, to expect, to suppose.

e.g. Mrs. Daves was known to be a kind and honest woman.

  1. c) the verbs to say, to report.

e.g. He is said to live a lonely life.

  1. d) The Subjective Infinitive Construction is also used with the verbs to seem, to appear, to happen, to prove, to turn out…used in the Active Voice.

e.g. I happened to be out when she called.

  1. e) The Subjective Infinitive Construction is also found with the word groups to be sure, to be certain, to be likely.

e.g. He is certain to take part in the conference.

  1. f) It is used with the following pairs of synonyms to seem, to appear, to happen, to chance, to prove, to turn out.

e.g. They seemed to have quite forgotten him already.(Hardy)

  1. The for-to-Infinitive Construction.

The for-to-Infinitive Construction is a construction in which the infinitive is in predicate relation to a noun or pronoun preceded by the preposition for. The construction has different function in the sentence.

e.g. For me to tell him the news would be rather hard.(subject)

He asked for the papers to be typed by 5 o’clock.(object)

That was for him to find out. (Predicative)

There was really nothing for him to do but what he had done. (Attribute)(Hardy)

He stepped aside for me to pass. (Adverbial modifier of purpose)

General characteristic of the verb

Introduction

The verb is the most complex grammatical class of words. It is the only part of speech in English that has a morphological system based on the six categories: person, number, tense, aspect, voice, and mood. Besides, there are two sets of verb-forms, essentially different from each other: the finite forms and the non-finite forms (infinitive, gerund, participle I, participle II). The verb performs the central role in the expression of predication, i. e. the connection between the situation described in the sentence and reality. The categorical meaning of the verb is a process presented dynamically, that is, developing in time. It is the semantic characteristic of all verbs both in finite and non-finite forms. The difference in the functional aspect is that the finite verb with its categories of tense, aspect, voice, and mood always performs the function of the verb-predicate in the sentence while the non-finite forms are used in the functions of the syntactic subject, object, adverbial modifier, attribute.

The English verbals include four forms: the infinitive, the gerund, the present participle (Participle I), and the past participle (Participle II). Verbals or the non-finite forms of the verb are the forms of the verb intermediary in many of their lexical and grammar features between the verb and the non-procession parts of speech. They render processes as peculiar kinds of substances and properties. But the verbals, unable to express the predicative meanings of time and mood, still do express the secondary predication (potential predication, semi predication) forming syntactic complexes directly related to certain types of subordinate clauses.

Structurally the work consists of four parts: introduction, four chapters with their subtitles, conclusion and bibliography.

The first chapter “General characteristic of the verb”, here we describe the main features of English verb and its forms. The second chapter is “Infinitive”. Here we give an interpretation of infinitive, its formation, usage and function in the sentences. The third chapter is titled as “Infinitive”, here we present the general information of gerund, its formation, usage and function. We also draw parallels between infinitive and gerund by giving examples. The last chapter “The gerund and verbal nouns” describes Participle 1 and Participle 2, their differences, formation and usage.

Working Bibliography contains the list of authors and books used in the work, list of literary work that has been used in order to gather information in English.

Verb tenses are tools that English speakers use to express time in their language. We may find that many English tenses do not have direct translations in our language. That is not a problem. By studying verb tense tutorial, we will learn to think like a native English speaker. The verb is a part of speech which includes words expressing actions or states conceived as processes.

Verbs are a class of words used to show the performance of an action (do, throw, run), existence (be), possession (have), or state (know, love) of a subject. To put it simply a verb shows what something or someone does.

Most statements in speech and writing have a main verb. These verbs are expressed in tenses which place everything in a point in time.

Verbs have moods, which indicate the viewpoint of the verb, whether it is a fact, a command or hypothetical.

Verbs have a voice too. The voice shows whether the subject of a sentence is carrying out an action, or is having an action carried out on it.

Verbs are conjugated (inflected) to reflect how they are used.

Finite Forms of the Verb

Finite Verbs are those verbs that have a definite relation with the subject or noun. These verbs are usually the main verb of a clause or sentence and can be changed according to the noun. They are used only in present and past tense. They can be indicative of passive or active voice and also of number (singular or plural).

She walks home. – Here we see that the finite verb is walks and the pronoun is ‘she’.

She walked home. – Here we can see how the verb changed/modified to change the tense of the sentence

All verbal forms can be analyzed under “The Category of Finitude” (Cf. M. Blokh, op.cit.,88), which divides the forms of the verb into finite and non-finite (verbal). These forms constitute a system of their own which is united by such verbal categories as voice, aspect and order. The categories that set finites and non-finites apart are tense, person, number, and mood. Verbs which have the past or the present form are called FINITE verbs. Verbs in any other form (infinitive, -ing, or -ed) are called NON FINITE verbs. This means that verbs with tense are finite, and verbs without tense are nonfinite. The distinction between finite and nonfinite verbs is a very important one in grammar, since it affects how verbs behave in sentences. Here are some examples of each type.

David plays the piano Present Finite
Leaving home can be very traumatic NONE — the verb has the -ing form Nonfinite

 

In the finite form the verb has the function of the predicate in the sentence. It is limited by or bound to some subject with which it agrees in person and number:

I am a student. You are a teacher.

The finite forms of the verb indicate the following categories: p e r s o n , number, aspect, tense, mood, and voice.

These categories are expressed partly by synthetical forms (inflexion, and vowel or consonant interchange):

e.g. I ask, he asks, I asked.-,

I sing, I sang-, I make, I made; partly by analytical forms: I am reading, I have read, I shall read. It has been read.

The system of all the synthetical and analytical forms, which are used to indicate person, number, aspect, tense, mood and voice is called t h e conjugation of the verb.

NON-Finite Forms of the Verb

A nonfinite verb is any of several verb forms that are not finite verbs; that is, they cannot serve as the root of an independent clause. Nonfinite verbs found in English typically are infinitives, participles and gerunds. (They sometimes are called verbals)

Additional nonfinite forms found in some other languages include converbs, gerundives and supines.

Nonfinite verbs typically are not inflected by grammatical tense; and they present little inflection for other grammatical categories as well. Generally, they also lack a subject dependent. One or more nonfinite verbs may be associated with a finite verb in a finite clause, composing the elements of a verb catena, or verb chain.

These verbs cannot be the main verb of a clause or sentence as they do not talk about the action that is being performed by the subject or noun. They do not indicate any tense, mood or gender. They are used as nouns, adverbs and adjectives. They are also used to form non-finite clauses which are simply dependent clauses that use non-finite verbs.

Speaking of non-finites (the infinitive, the participle, the gerund) special mention should be made of the infinitive. It has a unique position: it is the principal representative of the verb-lexeme as a whole.

Aids for Facial Expression Adjectives Teaching

Teaching aids are important because they create a visual and interactive experience for the students. As the students become more engaged, they are more likely to understand the topic being taught.

Teaching aids assist students in learning. These aids consist of video, audio and hands-on tools to help involve the students and enhance the learning experience.

Teachers begin using visual, audio and hands-on aids as early as preschool. Teaching aids can be as basic as a blackboard or whiteboard. Audio and visual equipment, such as DVD players and video projectors, are commonly used as tools for learning with a very effective output [15].

Students tend to get more involved when learning if teaching aids are implemented into the curriculum. Hands-on aids, such as computers, maps and other tools that require some sort of interaction from the students, have the highest levels of effectiveness. The tools are designed to involve the students, promote interaction, and promote faster learning and better comprehension. Being able to see, hear or get involved in a topic creates a much better method for learning.

How a teacher chooses to use learning aids in a classroom can vary dramatically. The main factor in the effective use of teaching aids is that a skilled teacher is behind the tools being used [15].

Choose some of the matching adjectives for each facial expression. It is better to work in groups. Have a group/class discussion after have worked individually (or in pairs), to debate whether everything is made the “right”. Fig. 1- 3 present the examples of teaching aids.

Fig. 1. “Find and match” activity [16].

Fig. 2. “Fill in the gaps” activity [17].

Fig. 3. “Fill in the gaps” activity [17].

 

Use these ‘Mood Words’ that are expressed with images of facial expressions both male and female… make 1/2 sentences with what you are in a mood to use.

Mind your sentences: they are generically used as adjectives three examples: 1) “I am in an adventurous mood and want to do something new today!” another type of usage can be; 2) “I felt that I accomplished ‘a milestone’ when my boss appreciated my efforts” and 3) “I was really ashamed when someone pointed out my mistake. I promised I will not repeat it!”.

Fig. 4 presents the teaching material.

Fig. 4. Mood adjectives teaching aid. (for intermediate students) [18].

 

CONCLUSIONS

Adjective is a part of speech that describes or modifies other words, making writing and speaking much more specific, and a whole lot more interesting. We can’t imagine our life without adjectives. Without them we cannot completely describe what are we talking or writing about. Because adjectives are used to identify or quantify individual people and unique things, they describe the noun.

We have accomplished the purpose and brought about the intended results for a number of tasks:

  • We have studied the role of adjective as a part of speech;
  • We have done a research on how to form adjective from the other parts of the speech;
  • We have learned about the types of an adjective, including base, derivative and compound adjectives, and their role in a sentence;
  • We have studied the right order of adjectives in a compound adjective;
  • We have exemplified the adjectives for face description.

The paper describes adjective as a content word, explaining and interpreting its types (base, derivative and compound adjectives) and subclasses (relative, qualitative and substantive adjectives). It also explains the order of word in compound adjective.

One of the most important role of the adjectives – is face description. Only using the adjective we can describe the faces, so the other can guess whom are we talking about. The paper exemplifies the face description in the literature (Mrs Dalloway by Virginia Woolf). So we can see that without adjectives we cannot imagine the character, but adjectives helps us to see the character from the book as it is a real person we saw ones.

The Usage of Adjectives in Face Description

Adjectives Used for Face & Appearance Description

Face, Mouth, Lips, and Nose

To describe the shape of the face we can use the following adjectives: long, round, square, triangular, oval, with regular features, irregular, thin, lean, bony, with hollow cheeks, with a scar, with moles, with smooth skin, lined, ruddy, with freckles, chiseled, wide, thin, heart-shaped.

The expression of the face (usually) can be described by the following adjectives: winning, cheerful, friendly, charming, smiling, radiant, warm, fun, funny, nice, serene, anguished, anxious, sullen, sad, cross, worried, menacing, pensive, lively expression, a tense face, a wild expression, gloomy, frowning, expressive.

Lip shape and size: thin, full, pouting, rosebud (baby’s lips, often), pursed (puckered up, as when concentrating), protuberant lips, red, thin, thick.

Mouth expressions: laugh, smile, beam, grin, frown, grimace, scowl, sneer, curl, pout, half-open, large, sweet

Adjectives describing the mouth or mouth expressions: toothy, toothless, gap-toothed, kind, sweet, dimpled, relaxed, firm, serious, cruel, snarling

Describing the nose: big, little, short, long, large, straight, thin, crooked, pointed, sharp, aquiline, flattened, snub, bulbous, turned-up [11].

Eyes, eyebrows, eyelashes, ears

Eye

Shape, size, and appearance: large, small, almond-shaped, round, squinty, crinkly, bulging, heavy-lidded, hooded, deep-set, close-set, hollow, tear-filled

Eye color: black, brown, hazel, green, blue, violet, gray, amber

Eye expressions: piercing, mesmerizing, sad, sorrowful, haunted, gentle, sympathetic, warm, compassionate, expressive, bright, twinkling, lively, dancing, laughing, shifty, sly, distrusting, sleepy

Other: brown-eyed boy, bright-eyed sister, wide-eyed child, gold-flecked eyes, almond-shaped, round, little, thin, bulging, brown, light-brown, dark, blue, light-blue, green, grey, made-up ,shortsighted, amazed, expressive, stunned, shining, sweet, smart, languishing, gentle, woeful, frightened, wide, bright

Eyebrows

Adjectives for eyebrows: thick, thin, emphasized, spaced, near

Eyelashes

Eylashes can be: long, short, spaced, made-up

Ears

Sticking, stick out, big, little, pointed [11].

Hair

Hair color: black, brunette, brown, chestnut-brown, blond, honey-blond, golden-blond, ash-blond, fair, cornsilk, auburn, red, strawberry-blond, gray, silver, white, salt-and-pepper.

Texture or appearance: wispy, fuzzy, wavy, curly, kinky, frizzy, wild, untamed, unmanageable, straight, spiky, stiff, buzzed, shaved, parted, neatly-combed, tamed, cascading, long, short, cropped, dull, shiny.

Hair styles: braids, ponytail, pigtails, bun, messy bun, twist, bob, ringlets, flip, cornrows, extensions, bangs, buzz, layered, feathered, chopped, gelled, spiked, slicked down.

Lots of hair: thick, full, lustrous, bushy, coarse, wiry, stiff

Little hair: thin, scraggly, fine, baby-fine, downy, wispy, limp, flat, balding, bald, bald spot, receding (gradual loss of hair at the front of the head)

Treated hair: permed, dyed, bleached, highlighted, weaved, streaked, colored

Facial Hair: beard, goatee, mustache, soul patch, sideburns. Beard growth: stubble, fuzz, peach fuzz, bristles, five o’clock shadow (describes new beard growth that’s shadowy in appearance. It’s usually more noticeable late in the day on the jaw, chin, or cheek area, but some men purposely grow five o’clock shadows).

Adjectives: bearded, bushy, stubbly, bristly, scratchy, unshaven, shaggy, whiskered, beardless, clean-shaven, smooth, trimmed, neatly-trimmed, pencil-thin [11].

A Sample of Describing Person’s Face

What if you were asked to describe how something looks – a place, a thing, or a person? How should you arrange your ideas and sentences in the paragraph? Obviously, time order would not be logical. When you are describing the way something looks – its physical appearance – it is not time but space that is important. Therefore, you should arrange your sentences and details according to where the objects being described are located. This type of organization is called spatial organization. In a descriptive paragraph, you must make the location of the objects being described very clear.

A person’s appearance can be described in many ways. It is possible to tell about the person’s style of clothing, manner of walking, color and style of hair, facial appearance, body shape, and expression or even the person’s way of talking. Just what a writer selects to describe depends on the writer’s chosen topic and purpose. No matter what the topic, however, the writer is a painter with words, so the description must be vivid but also coherent – logically arranged – so that the reader can clearly envision who is being described. The following paragraph describes a person’s face with a spatial organization. Look at the following description and see if you can get a good image of what Mary looks like:

“Mary is as beautiful as a Hollywood star. Her thick, wavy, long black hair gracefully falls down to her shoulders and encircles her diamond-shaped face. A golden suntan usually brings out her smooth, clear complexion and high cheek bones. Her slightly arched chestnut brown eyebrows highlight her emotions by moving up and down as she reacts to her world around her. Her large deep blue eyes, remind me of a lake on a stormy day. Her curved nose gives her a little girl look that makes me want to smile when she talks. And her mouth is a small mouth outlined by puffy lips that she often accentuates with glossy pink lipstick. When she smiles, which is often, her well formed and even, white teeth brighten up her whole face. I guess you can tell that I am head over heals in love with Mary.” [12]

By this paragraph, the reader can not only tell what Mary looks like but also what the author’s attitude about her outer appearance is.

Analysis of Adjectives usage in Instagram

The adjectives have been analyzed for frequency of appearance to describe the facial characteristics in Instagram. To perform this, the adjective was searched in Instagram, and the cases for facial characteristics description were calculated amount the first 20 search results. The results are presented in Table 1.

Table 1. Adjectives and their use for facial description in Instagram [13]

Adjective Quantity among the first 20 results
Absolute number Frequency, %
Beardless 17 85.7
Bony 4 19.0
Wavy 4 19.0
Kinky 12 61.0
Sleepy 7 33.3
Smooth 4 19.0
Bulbous 3 14.3
Sweet 2 9.5
Sad 8 38.1
Shiny 4 19.0
Amazed 5 23.8
Smiling 14 71.4
sorrowful 5 23.8
Friendly 4 19.0
Dull 8 38.1

 

The Instagram usage illustrates the modern usage of these adjectives. The words beardless, kinky and smiling are preliminary used for facial description, the adjectives sad, sorrowful, and dull have also several other meanings. The other adjectives also describe different personal characteristics, and the facial description is just one of them. Hence, they are polyfuncional.

Face Description in Mrs. Dalloway by Virginia Woolf

The word “face” is mentioned 75 times in the novel, and 60 are related to the noun “face”. Table 2 presents the examples and categorization of the adjectives used.

Table 2. The adjectives used for facial expression in Mrs. Dalloway by Virginia Woolf [14]

Citation Frequency Function
1 2 3
“a ridiculous little face”

“little pink face”

1

2

Size
Total 3 / 5%
“button-faced”

“sallow pointed face”

1

1

Form
Total 2 / 3.33%
“pale-face(d)”

“little pink face”

“delicate pink face”

“small pink face”

“with large eyes in a sallow pointed face”

“round-eyed, pale-faced girl”

“sunburnt face”

“pink innocent oval to a face lean,”

“very red in the face”

3

5

 

1

1

1

1

1

1

Color
Total 14 / 23.33%
“a ridiculous little face”

“delicate pink face”

“pink innocent oval to a face lean” “contracted, hostile”

1

1

Opinion
Total 2 / 3.33%
1 2 3
“worn old face” 1 Age
Total 1 / 1.65%
“face, beaked like a bird’s”

“dashed in his face like bunches of roses”

1

1

comparison
Total 2 / 3.33%
“pretty face”

“fine face”

“adorably pretty face”

2

1

1

Assessment
Total 4 / 6.67%

 

 

Subclasses of Adjectives

Relative Adjectives

Relative adjectives express such properties of a substance as are determined by the direct relation of the substance to some other substance. E.g.: wood — a wooden hut; mathematics — mathematical precision; history — a historical event; table — tabular presentation; colour — coloured postcards; surgery — surgical treatment; the Middle Ages — mediaeval rites.

The nature of this “relationship” in adjectives is best revealed by definitional correlations. Cf.: a wooden hut — a hut made of wood; a historical event — an event referring to a certain period of history; surgical treatment — treatment consisting in the implementation of surgery; etc. [10]

In English these adjectives are often constructed by adding a suffix to the noun or noun root. A variety of suffixes may be used in this way: -al or -ial (e.g. behavioural), -ous (famous), -y or -ly (manly), -ic (angelic), -an or -ian (Amazonian), -ary (planetary), -ile (infantile), -ine (elephantine), -ive (instinctive), -ish (boyish), -like (birdlike).

Of these, the suffixes -y (IPA: /i/), -ish and -like are “living” suffixes and may be used to form new words. For example, something that tastes of apples may be described as appley or (less commonly) appleish; something resembling honey may be described as honeylike (or honey-like). Many of these formations are colloquialisms or ad hoc coinages not usually included in dictionaries, but will nevertheless be readily understood.

Relative adjectives do not form adverbs by –ly. Many adjectives considered under the heading of relative can still form degrees of comparison when the property of substance can be graded quantitatively: cf. a mediaeval approach – rather mediaeval approach – a far more mediaeval approach [10].

Qualitative Adjectives

Qualitative adjectives, as different from relative ones, denote various qualities of substances which admit of a quantitative estimation, i.e. of establishing their correlative quantitative measure. The measure of a quality can be estimated as high or low, adequate or inadequate, sufficient or insufficient, optimal or excessive. Cf.: an awkward situation — a very awkward situation; a difficult task — too difficult a task; an enthusiastic reception — rather an enthusiastic reception; a hearty welcome — not a very hearty welcome; etc.

In this connection, the ability of an adjective to form degrees of comparison is usually taken as a formal sign of its qualitative character, in opposition to a relative adjective which is understood as incapable of forming degrees of comparison by definition. Cf.: a pretty girl — a prettier girl; a quick look — a quicker look; a hearty welcome — the heartiest of welcomes; a bombastic speech — the most bombastic speech.

Mow ever, in actual speech the described principle of distinction is not at all strictly observed, which is noted in the very grammar treatises putting it forward. Two typical cases of contradiction should be pointed out here.

In the first place, substances can possess such qualities as are incompatible with the idea of degrees of comparison. Accordingly, adjectives denoting these qualities, while belonging to the qualitative subclass, are in the ordinary use incapable of forming degrees of comparison. Here refer adjectives like extinct, immobile, deaf, final, fixed, etc. [9-10].

Substantive Adjectives

It is common knowledge that adjectives can, under certain circumstances, be substantivized, i.e. become nouns. The phenomenon is also frequent enough in English. The questions which arise in this connection are: (a) what criteria should be applied to find out if an adjective is substantivized or not? (b) is a substantivized adjective a noun, or is it not? [9].

As to the first question, we should recollect the characteristic features of nouns in Modern English and then see if a substantivized adjective has acquired them or not. These features are, (1) ability to form a plural, (2) ability to have a form in -‘s if a living being is denoted, (3) ability to be modified by an adjective, (4) performing the function of subject or object in a sentence. If, from this point of view, we approach, for example, the word native, we shall find that it possesses all those peculiarities, e. g. the natives of Australia, a young native, etc.

The same may be said about the word relative (meaning a person standing in some degree of relationship to another): my relatives, a close relative, etc. A considerable number of other examples might be given. There is therefore every reason to assert that native and relative are nouns when so used, and indeed we need not call them substantivized adjectives. Thus the second of the above questions would also be answered [9-10].

Things are, however, not always as clear as that.

A familiar example of a different kind is the word rich. It certainly is substantivized, as will be seen, for example, in the title of a novel by C. P. Snow, “The Conscience of the Rich”. It is obvious, however, that this word differs from the words native and relative in some important points: (1) it does not form a plural, (2) it cannot be used in the singular and with the indefinite article, (3) it has no possessive form. Since it does not possess all the characteristics of nouns but merely some of them, it will be right to say that it is only partly substantivized. The word rich in such contexts, as those given above, stands somewhere between an adjective and a noun.

The same may be said of the poor, the English, the Chinese, also the wounded, the accused (which were originally participles), and a number of other words. We might even think of establishing a separate part of speech, intermediate between nouns and adjectives, and state its characteristic features as we have done for parts of speech in general. However, there would appear to be no need to do so. We shall therefore confine ourselves to the statement that these words are partly substantivized and occupy an intermediate position [9-10].

Sometimes the result of substantivisation is an abstract noun, as in the following examples: The desire for a more inward light had found expression at last, the unseen had impacted on the seen. (FORSTER) Her mind was focused on the invisible. (Idem) Nouns of this type certainly have no plural form. [10]

Order of Adjectives

When you list several adjectives in a row, there’s a specific order they need to be written or spoken. Native speakers of English tend to put them in the correct order naturally, but if you’re learning English, you’ll have to memorize the order. It goes like this [10]:

  • Determiner – This means an article (a, an, the), a number or amount, a possessive adjective (my, his, her, its, your, our, their), or a demonstrative (this, that, these, those).
  • Observation/Opinion – beautiful, expensive, gorgeous, broken, delicious, ugly
  • Size – Huge, tiny, 4-foot-tall
  • Shape – Square, circular, oblong
  • Age – 10-year-old, new, antique
  • Color – Black, red, blue-green
  • Origin – Roman, English, Mongolian
  • Material – Silk, silver, plastic, wooden
  • Qualifier – A noun or verb acting as adjective

This is the correct order for adjectives that come directly before a noun, and they are separated by commas: “my beautiful, big, circular, antique, brown, English, wooden coffee table was broken in the move”.

If the adjectives come after the verb “be” as the complement, then the qualifier will stick with the noun at the beginning of the sentence. The adjectives in the complement are separated by commas with the final two being separated by “and.” For example, my coffee table is beautiful, big, circular, antique, brown, English and wooden [9].

The Understanding Of Adjective

INTRODUCTION

The whole of the English vocabulary is subdivided into eleven parts of speech. Notional or fully-lexical parts of speech are: nouns, adjectives, verbs, adverbs, pronouns, numerals, modal words and interjections. Prepositions, conjunctions and particles are parts of speech largely devoid of lexical meaning and used to indicate various functional relationships among the notional words of an utterance. Generally speaking we can say that all nouns, adjectives, verbs and adverbs are capable of making direct reference and are the main units which carry the burden of referential information, and that all other words provide functional information. Adjectives are the third major class of words in English, after nouns and verbs, that’s why I think that this part of speech is merited detailed consideration.

In every language, adjectives are important elements of sentences. Using adjectives means that we can express the quality of any person or object. Without adjectives we could not say how any object looks like. In addition; when we read a paper which is a descriptive one, adjectives help us to picture the content of what we read about. The readers get a better idea of what we wish them to picture when they read our writings. It appeals to our readers’ senses; therefore, they can hear, see, touch, taste, and even smell what you’re describing. Also, use of adjectives sets the tone for our writing. You need to use them for descriptive papers or in our daily life. Moreover, we use adjectives because we want to express ourselves, things, characters in a good or bad way. It will get our readers’ or listeners’ attention and can make the book a good read or speech a good, an effective speech.

The Ukrainian linguists perform research on functional and morphological aspects of adjectives [1-3]. Bobko [1] found that the most productive suffixes for adjectives formation are -ed, -ing, and -y. The author also noted that the adjectives add emotional and expressive connotation to the text, improving the literature value of the texts and influencing the readers’ behavior. The connotational aspect of adjectives for evaluation of a person or situation is presented in the study [2]. The adjectives are the most significant means for evaluation and presentation of the author’s attitude [3].

The purpose of my coursework is to examine the adjectives as the notional part of speech.

To accomplish the purpose and bring about the intended result a number of tasks have to be solved. These are:

  • To study the role of adjective as a part of speech;
  • To do a research on how to form adjective from the other parts of the speech;
  • To learn about the types of an adjective, including base, derivative and compound adjectives, and their role in a sentence;
  • To study the right order of adjectives in a compound adjective;
  • Exemplify the adjectives for face description;
  • The subject of the study is adjectives that describe facial features as a scientific research.

The object is adjectives as part of the speech.

Materials used in the study are the contemporary research articles, monographs and internet resources dedicated to adjectives usage.

Topicality of the course paper is explained by the importance of adjectives in the descriptions.

An adjective is a word which expresses the attributes of substances (good, young, easy, soft, loud, hard, wooden, flaxen). As a class of lexical words adjectives are identified by their ability to fill the position between noun-determiner and noun and the position after a copula-verb and a qualifier. As the other parts of speech adjective has special meaning (semantic properties), form (morphological properties) and function (syntactic properties). All the adjectives are traditionally divided into subclasses: qualitative adjectives, relative adjectives, substantivized adjectives, statives. This coursework will perform the detailed description of the properties and subclasses of the adjectives, including examples.

Novelty of the research paper is presentation of the novel rules to build a compound adjective. The frequency of the usage of some adjectives by the modern people was analyzed.

Theoretical value. The course paper describes the theory of an adjective as a part of the speech: the formation of an adjective, its types and subclasses, the place in the sentence.

Practical value. The paper presents the main adjectives that describe different parts of the face. It also includes the description of the face and the practical activity of face description.

Adjectives are words that describe or modify other words, making your writing and speaking much more specific, and a whole lot more interesting. Words like small, blue, and sharp are descriptive, and they are all examples of adjectives. Because adjectives are used to identify or quantify individual people and unique things, they are usually positioned before the noun or pronoun that they modify. Some sentences contain multiple adjectives.

Forming Adjective

English can be very tricky, so you have to be careful, but a lot of English adjectives end with these suffixes:

-able/-ible – adorable, invisible, responsible, uncomfortable

-al – educational, gradual, illegal, nocturnal, viral

-an – American, Mexican, urban

-ar – cellular, popular, spectacular, vulgar

-ent – intelligent, potent, silent, violent

-ful – harmful, powerful, tasteful, thoughtful

-ic/-ical – athletic, energetic, magical, scientific

-ine – bovine, canine, equine, feminine, masculine

-ile – agile, docile, fertile, virile

-ive – informative, native, talkative

-less – careless, endless, homeless, timeless

-ous – cautious, dangerous, enormous, malodorous

-some – awesome, handsome, lonesome, wholesome [4].

Types of Adjectives

Base (Simple) Adjectives

Base adjectives exhibit the following formal qualities: they may take inflections -er and -est or have some morphophonemic changes in cases of the suppletion, such as, for instance, in good better the best; bad worse the worst. Base adjectives are also distinguished formally by the fact that they serve as stems from which nouns and adverbs are formed by the derivational suffixes -ness and -ly.

Base adjectives are mostly of one syllable, and none have more than two syllables except a few that begin with a derivational prefix un-or in-, e. g.: uncommon, inhuman, etc. They have no derivational suffixes and usually form their comparative and superlative degrees by means of the inflectional suffixes -er and -est. Quite a number of based adjectives form verbs by adding the derivational suffix -en, the prefix en- or both: blacken, brighten, cheapen, sweeten, widen, enrich, enlarge, embitter, enlighten, enliven, etc. [5-6]

Derivative Adjectives

Derived adjectives are formed by the addition of derivational suffixes to free or bound stems. They usually form analytical comparatives and superlatives by means of the qualifiers more and most. Some of the more important suffixes which form derived adjectives are:

-able added to verbs and bound stems, denoting quality with implication of capacity, fitness or worthness to be acted upon; -able is often used in the sense of “tending to”, “given to”, “favouring”, “causing”, “able to” or “liable to”. This very common suffix is a live one which can be added to virtually any verb thus giving rise to many new coinages. As it is the descendant of an active derivational suffix in Latin, it also appears as a part of many words borrowed from Latin and French. Examples formed from verbs: remarkable, adaptable, conceivable, drinkable, eatable, regrettable, understandable, etc.; examples formed from bound stems: capable, portable, viable. The unproductive variant of the suffix -able is the suffix -ible (Latin -ibilis, -bilis), which we find in adjectives Latin in origin: visible, forcible, comprehensible, etc.; -ible is no longer used in the formation of new words.

-al, -ial (Lat. -alls, French -al, -el) denoting quality “belonging to”, “pertaining to”, “having the character of”, “appropriate to”, e. g.: elemental, bacterial, automnal, fundamental, etc.

The suffix -al added to nouns and bound stems (fatal, local, natural, national, traditional, etc.) is often found in combination with -ic, e. g.: biological, botanical, juridical, typical, etc. [5].

-ish — Germanic in origin, denoting nationality, quality with the meaning “of the nature of”, “belonging to”, “resembling” also with the sense “somewhat like”, often implying contempt, derogatory in force, e. g.: Turkish, bogish, outlandish, whitish, wolfish [3].

-y — Germanic in origin, denoting quality “pertaining to”, “abounding in”, “tending or inclined to”, e.g.: rocky, watery, bushy, milky, sunny, etc. [4, 7].

Among the other adjectival affixes should also be named the suffixes: -ful (hopeful), -less (flawless), -ous (famous), -ive (decorative), the prefix a-, constitutive for the stative subclass which is to be discussed below [5].

Compound Adjectives

Compound adjectives consist of two or more morphemes of which the left-hand component limits or changes the modification of the right-hand one, as in “the dark-green dress”: dark limits the green that modifies dress [6].

There are some well-established permanent compound adjectives that have become solid over a longer period, especially in American usage: earsplitting, eyecatching, and downtown. However, in British usage, these, apart from downtown, are more likely written with a hyphen: ear-splitting, eye-catching. Other solid compound adjectives are for example:

Numbers that are spelled out and have the suffix -fold added: “fifteenfold”, “sixfold”.

Points of the compass: northwest, northwester, northwesterly, northwestwards, but not North-West Frontier.

A compound adjective is hyphenated if the hyphen helps the reader differentiate a compound adjective from two adjacent adjectives that each independently modifies the noun [5]. Compare the following examples:

  • “acetic acid solution”: a bitter solution producing vinegar or acetic acid (acetic + acid + solution)
  • “acetic-acid solution”: a solution of acetic acid

The hyphen is unneeded when capitalization or italicization makes grouping clear: “Old English scholar” (an old person who is English and a scholar, or an old scholar who studies English) and “Old English scholar” (a scholar of Old English).

If, however, there is no risk of ambiguities, it may be written without a hyphen: Sunday morning walk. Hyphenated compound adjectives may have been formed originally by an adjective preceding a noun [8]:

“Round table” → “round-table discussion”, “Four wheels” → “four-wheel drive” (the singular, not the plural, is used). Others may have originated with a verb preceding an adjective or adverb: “Feel good” → “feel-good factor”,

“Buy now, pay later” → “buy-now pay-later purchase”. Yet others are created with an original verb preceding a preposition: “Stick on” → “stick-on label”,

“Walk on” → “walk-on part”, “Stand by” → “stand-by fare”, “Roll on, roll off” → “roll-on roll-off ferry”

The following compound adjectives are always hyphenated when they are not written as one word [8]:

An adjective preceding a noun to which –d or –ed has been added as a past-participle construction: “loud-mouthed hooligan”, “middle-aged lady”, “rose-tinted glasses”

A noun, adjective, or adverb preceding a present participle: “an awe-inspiring personality”, “a long-lasting affair”, “a far-reaching decision”

Numbers spelled out or as numerics: “seven-year itch”, “five-sided polygon”, “20th-century poem”, “30-piece band”, “tenth-story window”

A numeric with the affix –fold has a hyphen (15-fold), but when spelled out takes a solid construction (fifteenfold).

Numbers, spelled out or numeric, with added -odd: sixteen-odd, 70-odd.

Compound adjectives with high- or low-: “high-level discussion”, “low-price markup”.

Colours in compounds: “a dark-blue sweater”, “a reddish-orange dress”.

Fractions as modifiers are hyphenated: “five-eighths inches”, but if numerator or denominator are already hyphenated, the fraction itself does not take a hyphen: “a thirty-three thousandth part”. But fractions used as nouns have no hyphens: “I ate only one third of the pie.”

Comparatives and superlatives in compound adjectives also take hyphens: “the highest-placed competitor”, “a shorter-term loan”. However, a construction with most is not hyphenated: “the most respected member”.

Compounds including two geographical modifiers: “Afro-Cuban”, “African-American” (sometimes), “Anglo-Asian” But not “Central American”.

The following compound adjectives are not normally hyphenated:

Where there is no risk of ambiguity: “a Sunday morning walk”

Left-hand components of a compound adjective that end in -ly that modify right-hand components that are past participles (ending in –ed): “a hotly disputed subject”, “a greatly improved scheme”

Compound adjectives that include comparatives and superlatives with more, most, less or least: “a more recent development”, “the most respected member”, “a less opportune moment”.

Ordinarily hyphenated compounds with intensive adverbs in front of adjectives: “very much admired classicist”, “really well accepted proposal” [8].

Composite sentences

Composite sentences are poly predicative syntactic constructions, formed by two or more predicative lines, each with a subject and a predicate of its own. Each predicative unit in a composite sentence forms a clause. A clause as a part of a composite sentence corresponds to a separate sentence. There are two principal types of composite sentences: complex and compound [6].

A composite sentence consists of two or more simple sentences joined together. The component parts of a composite sentence are called clauses. The relationship between the clauses may be that of coordination and subordination [2; 215].

In complex sentences, the clauses are united on the basis of subordinative connections. The minimal complex sentence includes two clauses: the principal one and the subordinate one. A complex sentence combines one independent clause and one or more subordinate (dependent) clauses. An independent clause contains the more important idea. E.g. After Mary came home, Bill went to have a haircut. There are three kinds of subordinate clauses – the Noun-clause, the Adjective-clause, the Adverb-clause [6].

The word “composite” is a common term for both the compound and complex sentences [12; 49].

There are three types of composite sentences in Modern English:

  1. The compound sentence contains two or more independent clauses with no dependent one.
  2. The complex sentence contains one dependent clause and one or more independent clauses. The latter usually tells something about the main clause and is used as a part of speech or as a part of sentence.
  3. The compound-complex sentence combines the two previous types. The compound-complex sentences are those which have at least two independent clauses and at least one dependent (subordinate) clause in its structure: Blair found herself smiling at him and she took the letter he held out to her [12; 49]. There was a song in every heart; and if the heart was young the music issued at the lips (Twain).

Structurally and semantically, subordinate clauses are subordinated to principal clauses and may be joined to them by means of conjunctions, conjunctive words, asyndetically and sometimes by means of the sequence of tenses [2; 215].

In a compound sentence a clause is a part of a sentence which has a subject and a predicate of its own [3; 332].

In a compound sentence the clauses may be connected:

  1. Sydentically, i.e. by means of coordinating conjunctions (and, or, else, but, etc.) or conjunctive adverbs (otherwise, however, nevertheless, yet, still, therefore, etc.).

He knew there were excuses for his father, yet he felt sick at heart (Cronin).

  1. Asydentically, i.e. without a conjunction or a conjunctive adverb.

The rain fell softly, the houses was quiet (Collins) [3; 335].

A complex sentence consists of a principal clause and one or more subordinate clauses. Clauses in a complex sentences also may be linked in two ways: sydentically (More and more, she became convinced that some misfortune had overtaken Paul (Cronin)) and asydentically (I wish you had come earlier (Heym)) [3; 335].

According to their grammatical function subordinate clauses are divided into subject, predicative, attributive, object and adverbial clauses [3; 335].

For practical purposes of learning English, it is necessary and sufficient to distinguish the following kinds of subordinate clauses:

1) subject clauses which perform the function of subject and may be introduced by the conjunctions that, if, whether and such conjunctive words as who, what, which, when, why, how and others: That you may meet him at the party is quite possible. What I need now is someone to do the job.

2) predicative clauses which perform the function of predicative and may be introduced by the same conjunctions and conjunctive words as subject clauses: His only desire was that his family shouldn’t interfere with his plans. The question was why no one had heard the shot.

3) object clauses which modify verbs and adjectives as objects to them and may be introduced by the same conjunctions and conjunctive words as subject clauses: I thought (that) they were joking.

4) adverbial clauses which function as adverbial modifiers to verbs and adjectives within the principal clause and may be of the following kinds:

  1. a) adverbial clauses of time which are introduced by the conjunctions when, while, as, until, till, before, after, since, as soon as, as long as and some others: When they reached the village, Jane got out of the taxi and looked about her. I won’t leave until you come.
  2. b) adverbial clauses of place and direction which are introduced by the conjunction where: They stopped where the road turned to the river.
  3. c) adverbial clauses of cause which are introduced by the conjunctions because, as, since and some others: He was glad to talk to her because it set her at ease.
  4. d) adverbial clauses of purpose which are introduced by the conjunctions so that, that, in order that: He spoke loudly and clearly so that all could hear him.
  5. e) adverbial clauses of condition which are introduced by the conjunctions if, in case, unless and some others: If we start off now, we’ll arrive there by dinner time.
  6. f) adverbial clauses of concession which are introduced by the conjunctions though, although, even if, even though and wh-pronouns, ending in –ever: Although it was very late, she kept the dinner warm on the stove.
  7. g) adverbial clauses of consequence which are introduced by the conjunctions that, so … that, such … that: He was so embarrassed that he could hardly understand her.
  8. h) adverbial clauses of comparison which are introduced by the conjunctions than, as, as…as, not so (as)…as, as if and as though: He now took better care of his old father than he had ever done it before.

Conjunctions

The conjunction is a part of speech which denotes connections between objects and phenomena. It connects parts of the sentence, clauses, and sentences [3; 254].

Sadie brought them in and went back to the door (Mansfield).

the blinds were down in the dining-room and the lights turned on – and all the lights were red-roses (Mansfield).

The other day I was saying to Fabermacher that Haviland isn’t really cruel, he’s just thoughtless. And Fabermacher said that was the cruellest thing about the human race. And he’s right (Wilson).

According to their morphological structure conjunctions are divided into the following groups:

  1. simple conjunctions (and, or, but, till, after, that, so, where, when, etc.).
  2. derivative conjunctions (until, unless, etc.).
  3. compound conjunctions (however, whereas, wherever, etc.)
  4. composite conjunctions (as well as, as long as, in case, for the reason that, etc.)

Some conjunctions are used in pairs (correlatively): both… and, either… or, not only… but (also), neither… nor, whether… or [3; 255].

The 2 main types of connection of clauses in a composite sentence are subordination and coordination. By coordination clauses are arranged as units of syntactically equal rank, i.e. equipotently. The leading clause and a sequential clause (He came and we had coffee. We had coffee and he came).By subordination they are arranged as units of unequal rank, one being categorically dominated by the other [8].

Besides the classical types of coordination and subordination of clauses, we find another case of construction of a composite sentence. When the connection between the clauses combined in a polypredicative unit is extremely loose, placing the sequential clause in a syntactically detached position. In this loosely connected composite sentence the information expressed by the sequential clause is presented as an afterthought, an idea that comes to the speaker’s mind after the completion of the foregoing utterance. This kind of connection is called cumulation. Its formal sign is the tone of completion. In writing it is a semifinal mark, such as a semicolon, a dash, sometimes a series of periods.

Continuative cumulation: He did his job in the office without any fuss; he answered questions in the House: he made a couple of speeches.

Parenthetical cumulation: Your story, you know, showed such breadth and depth of thought [8].

There are two classes of conjunctions:

  1. Coordinating conjunctions;
  2. Subordinating conjunctions.

Coordinating conjunctions join coordinate clauses in a compound sentence, or homogeneous parts in a simple sentence, or homogeneous subordinate clauses in a complex sentence, or independent sentences [3; 255].

He had said he would stay quiet in the hall, but he simply couldn’t anymore; and crossing the gravel of the drive he lay down on the grass beyond (Galsworthy).

He opened his eyes and stared quietly at the pure sky (Wilson).

Hers was that common insularity of mind that makes human creatures believe that their color, creed, and politics are best and right and that other human creatured scattered over the world are less fortunately placed than they (London).

Fabemacher wasted no time on a comedy of errors, and Haviland apologized for his mistake. But he was not as impressed as Erik had wanted him to be (Wilson).

Types of coordination:

  1. Copulative coordination, expressed by the conjunctions and, nor, neither… nor, not only… but (also).

Mr. Home did not lift his eyes from his breakfast-plate for about two minutes, nor did he speak (Ch. Bronte).

  1. Disjunctive coordination expressed by the conjunctions or, else, either… or, otherwise.

Don’t come near me with that look else I’ll knock you down (Eliot).

  1. Adversative coordination expressed by the conjunctions but, while, whereas, nevertheless, still, yet. These conjunctions connect two clauses contrasting in meaning.

He had a glass eye which remained stationary, while the other eye looked at Reinhardt (Heym).

  1. Causative-consecutive coordination expressed by the conjunctions for, so, accordingly, consequently, etc.

After all, the two of them belonged to the same trade, so talk was easy and happy between them (Priestly).

The coordinate phrases may be of two types: syndetically connected (free and happy) and asyndetically connected coordinate phrases (hot, dusty, tired out). In the structure of the first type, there’s always a word that connects the constituents of the phrase while in the second type there’s no connector [12; 43].

Subordinating conjunctions generally join a subordinate or dependent clause to a principal clause, or adverbial modifiers to the predicate in a simple sentence, or sometimes they join homogeneous parts [3; 255].

When he was eight, he got work in another mill (London).

He shook his head a bit as if in wonder that he had permitted himself to be caught in such crosscurrents (Wilson).

My look or something else must have struck her as offensive, for she spoke with extreme, though suppressed irritation (Ch. Bronte) [3; 255].

The subordinate phrases are classified according to the head word. Thus there are noun phrases (cold water), verb phrases (saw a house), adjective phrases (extremely red) and so on [12; 43].

The predicative phrases fall under:

Infinitive predicative phrases: I asked him to stay.

Gerundial predicative phrases: I saw him running.

Absolute predicative phrases: Everybody stood up, glass in hand.

As it is seen from the examples the types of predicative phrases depend on what non-finite form of the verb verbal part of them is expressed by [12; 43].

Parallelism

There are some kinds of repetition: lexical and syntactic. Lexical repetition is divided into:

  1. anaphora (the repetition of the same elements at the beginning of several sentences):

Should auld acquaintance be forgot

And never brought to mind?

Should auld acquaintance be forgot

And days of auld langsyne? (Burns)

  1. epiphora (the repetition of the same elements at the end of several sentences is called):

I am exactly the man to be placed in a superior position in such a case as that. L am above the rest of mankind, in such a case as that. I can act with philosophy in such a case as that. (Dickens)

Lexical repetition is often used to increase the degree of emotion:

‘Oh, No, John, No, John, No, John, No!‘ (folk song) And like a rat without a tail, I’ll do, I’ll do, I’ll do. (Shakespeare) [4]

The term Syntactic repetition refers to repetition of syntactic elements or constructions. This may include syntactic tautology, such as, for example, the repetition of the subject of a sentence, which is typical of English folklore:

Little Miss Muffet

She sat on a tuffet. (Nursery rhyme)

and also of later stylisations of the ballad character:

Ellen Adair she loved me well,

Against her father’s and mother’s will. (Tennison)

Syntactic tautology may be used in literary works to represent the speech of a person of little education: Well, Judge Thatcher, he took it. … (M. Twain)

Repetition of the subject may also be combined with giving it some more specific additional information:

She has developed power, this woman – this – wife of his! (Galsworthy)

Oh, it’s a fine life, the life of the gutter. (Shaw)

Syntactic parallelism is a special variant of syntactic repetition, which means repetition of similar syntactic constructions in the text in order to strengthen the emotional impact or expressiveness of the description:

The seeds ye sow – another reaps,

The robes ye weave – another wears,

The arms ye forge – another bears. (Shelley)

Few of them will return to their countries; they will not embrace our holy religion; they will not adopt our manners. (B. Franklin) (Dickens) [4]

Parallelism as a figure of speech is based upon a recurrence of syntactically identical sequences which lexically are completely or partially different [5].

e.g. “She was a good servant, she walked softly, she was a determined woman, she walked precisely.” (G. Greene) “They were all three from Milan, and one of them was to be a lawyer, and one was to be a painter, and one had intended to be a soldier…” (E. Hemingway)

Parallel constructions almost always include some type of lexical repetition too, and such a convergence produces a very strong effect, foregrounding at one go logical, rhythmic, emotive and expressive aspects of the utterance, so it is imminent in oratory art as well as in impassioned poetry:

You’ve hit no traitor on the hip.

You’ve dashed no cup from perjured lip,

You’ve never turned the wrong to right,

You’ve been a coward in the fight. (Ch. Mackay)

Like inversion, parallelism may be complete and partial:

Complete parallelism is observed when the syntactical pattern of the sentence that follows is completely similar to the proceeding one.

e.g. His door-bell didn’t ring. His telephone bell didn’t ring (D. Hammett).

Parallelism is considered to be partial when either the beginning or the end of several neighbouring sentences are structurally similar, e.g. I want to see the Gorgensens together at home, I want to see Macawlay, and I want to see Studsy Burke (D.Hammett) [5].

Parallel construction is a device which may be encountered not so much in the sentence as in the macro-structures dealt with earlier, i.e. the paragraph. The necessary condition in parallel construction is identical, or similar, syntactical structure in two or more sentences or parts of a sentence in close succession:

There were real silver spoons to stir the tea with, and real china cups to drink it out of, and plates of the same to hold the cakes. [1; 208].

Parallel construction is most frequently used in enumeration, antithesis and in a climax, thus consolidating the general effect achieved by these stylistic devices [1; 208].