What massive attacks album is best?
The best album credited to Massive Attack is Mezzanine which is ranked number 151 in the overall greatest album chart with a total rank score of 11,383. Massive Attack is ranked number 117 in the overall artist rankings with a total rank score of 20,693.
When was Massive Attack popular?
The debut Massive Attack album Blue Lines was released in 1991, with the single “Unfinished Sympathy” reaching the charts and later being voted the 63rd greatest song of all time in a poll by NME. 1998’s Mezzanine (containing the top 10 single “Teardrop”) and 2003’s 100th Window charted in the UK at number one.
Why did tricky leave Massive Attack?
Tricky, an original associate of the Bristol collective, collaborated on Massive Attack’s 1991 debut Blue Lines and their follow-up Protection. But when his solo career took off in 1994, the musician decided not to work with Robert ‘3D’ Del Naja and Marshall any longer due to creative differences.
Is trip hop still a thing?
Trip–hop is officially dead; its creators have either abandoned the sound, given up, or can no longer inspire similar feelings of genuine dread that carried the music through the ’90s.
What are some of the best Massive Attack songs?
Hats off massive attack! Snatch, the fire of caravan… Beats Teardrop for me. Really different from their other tracks… Forged with intense emotions, Atlas Air makes you feel the anguish of a war prisoner Haunting, in a great way. My favorite Massive Attack song by far.
Is teardrop the best attack song ever?
The best attack’s song ever. I’ve been listening it for a couple years already. Great music and it absolutely should be the top 1. Teardrop is good but really overrated because of serial. It should be number one.
When did Massive Attack start?
After a couple of singles from The Wild Bunch, Daddy G, 3D and Mushroom began Massive Attack in 1988, teaming up with influential producers Smith & Mighty for “Any Love.”
What is Massive Attack’s Man next door about?
Massive Attack were not shy of the odd cover version themselves, utilising Horace Andy on reggae standard ‘Man Next Door’, a John Holt composition so steeped in classic versions that it’s hard to find new expression in it. 3D and co managed anyway, with the singular, fretting lyrics about the pressures of urban life suiting the group perfectly.